Jan. 19th, 2013

jjhunter: Drawing of human JJ in ink tinted with blue watercolor; woman wearing glasses with arched eyebrows (JJ inked)
[personal profile] jjhunter
For myself, the pleasure and the difficulty of collaborative poetry are both rooted in the same place: the loss of control. In the following poem, the first that [personal profile] untonuggan wrote with me for our LizJJ Jam, I think that learning curve is most readily apparent. The haikai format lends itself to alternating authorship by stanza; I wrote the initial seed and all the subsequent 5-7-5 stanzas, while Liz took the 7-7 stanzas. Please take a moment to read the poem itself, and then see below for further commentary.


pacific kitchen

peel your clementines
like compass stars, and your trash
will bloom orange suns

silver and gold diadems
abandoned, tarnish and fade

while plastic wrappers
float on distant seas, tawdry
immortality

amidst glass lures, forgotten
in the ocean's lulling waves

the global local
the distant piscine choking
on our convenience

---

Further commentary behind the cut )

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Some starting places for discussion:

If this poem was written by three writers instead of two, and you were the third writer, what alternative third stanza might you write in place of 'while plastic wrappers...', etc.? Where do you think the new poem might go from there?

Does this feel like a cohesive poem, or a collection of disparate images? Are there particular key words or concepts that link two or more stanzas together?

Have you ever participated in writing haikai or other collaborative poetry yourself? How is it different from writing poetry on your own?

---

Leave kudos behind the cut )

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