Oct. 12th, 2011

ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith

A common form of poetry is free verse, also known by its French name vers libre.  Free verse has appeared throughout history and around the world, although it was made famous by some 19th-century French poets.  The term "free" means that this type of poetry leaves the cadence and verse structure up to the poet, rather than following a form that prescribes a specific set of rhyme, rhythm, stanza lengths, etc.  You've already seen one example of free-verse poetry this week in "A Knot of Thyme," with more to come later.

Despite the snobby remark by Robert Frost, free verse does NOT mean "playing tennis without a net."  Instead, it means using poetic tools other than rhyme and meter.  Popular options include metaphor and simile, irony, alliteration and assonance, onomatopoeia, repetition and parallels, personification, and allegory.  The poet may also create meaningful shapes with the lines and stanzas, such as beginning with one line, then two, and making each subsequent stanza one line longer.  Free verse can employ quite subtle aspects of linguistics, or can be straightforward, as the poet pleases.

1) Begin by choosing a topic for your free-verse poem.  If you're not sure what to write about, try picking two different ideas -- such as "freedom" and "purple" -- then combining those in some way.  You can also use a randomizing tool such as Creative Idea Generator or Quick Story Idea Generator.

2) Brainstorm a bit.  Jot down some words and phrases that relate to your poem's main idea(s).  Feel free to doodle on the page -- you may find it helpful to circle or draw lines between related concepts.

3) Look at what you've got so far.  Pick the best pieces and mark them.  Identify things that don't look as promising.  Consider rephrasing them or substituting something better.  Cross out any junk that you don't want to keep.  Choose a method of organization and try to put the good bits in order.  

4) Connect the dots.  By now you should have a core concept for your poem, some nifty words and phrases about it, and at least a partial structure.  Develop this into a rough draft by adding material to bridge the parts you already have.  Move things around some more if necessary.  Look for opportunities to use poetic techniques.  Do you have a terrific phrase?  Consider repeating it at the beginning or end of several stanzas.  Check your poem's balance.  If it's all abstract, add some concrete details; if it's all mundane, add some figurative language.  Have you engaged the reader's senses?  If not, add some sensory input, preferably at least two different senses.  A complete rough draft should cover all the major aspects of your concept.

5) Polish your poem.  Look at the line breaks: they mean something in free verse.  End-stopped lines have a comfortable, contained mood because they break at a natural place.  Enjambed lines can create tension or anticipation by breaking in unexpected places.  An extremely short or long line might need to be adjusted.  Examine your word choice, using a thesaurus if necessary.  Could you find a more interesting or precise term in some places?  Maybe there's a synonym that would alliterate with other words you already have.  In free verse, make sure you don't have any unwanted rhymes or stretches of regular meter.  Fix any of those you find.  Finally, read your poem aloud.  That will help you catch accidental tongue-twisters.  A finished poem should feel good in your mouth and ears when you read it.

jjhunter: Watercolor of daisy with blue dots zooming around it like Bohr model electrons (Default)
[personal profile] jjhunter
Posted on behalf of [personal profile] ysabetwordsmith for formatting reasons

Inspiration for poetry can come from anywhere. You know that I enjoy working with audience prompts, but I also love combing the media for ideas. I read science announcements, political opinions, historical articles, all kinds of stuff. Often I weave together bits of personal experience, current events, folklore etc. to create a tapestry that is both strange and familiar.

One of my popular series, Monster House, began with "Eviction, Noticed." This poem was written in October of 2008 when the housing crisis was really melting down and a lot of horror stories were hitting the news. Several of my poems from that time dealt with foreclosure in one way or another. This particular poem stuck in people's minds. In February of 2010, "Eviction, Noticed" was sponsored. It raised some questions, which you can see in the comments on the original post, and which I answered in the poem "Home Shriek Home." I'm sharing "Home Shriek Home" here because it introduces the house mentioned in the series title, and is generally a good introduction.

Since then, the series has continued to explore life in the weird lane, dealing with family and community dynamics with assorted mystical twists. My friend [personal profile] aldersprig has added to the fun by recently acquiring a fixer-upper house, and sharing stories about its development. Some of the Monster House poems are gloomy or macabre, but many of them are humorous. You can find links to all the published poems on my Serial Poetry page.
If you'd like to see this series in action, I've planned a mid-month Poetry Fishbowl on Tuesday, October 18 for which the theme is Monster House. (This was a perk earned in the regular October fishbowl last week.) Please feel free to drop by my LiveJournal and leave me a prompt, or just enjoy the poetry and activity.



Home Shriek Home



Over a year of couch-surfing
and crappy apartments.
Over a year of no company
but the cockroaches.
Over a year since I lost
a fine old house to foreclosure.

Things were looking up, though --
I finally got a job webmastering a new site,
and I met a girl geek with cute software
while she was installing some hardware,
and then I saw the ad.

Fixer-Upper.
Victorian house, 3 bdrm, 2 ba.
As-is. Best offer.
I looked it over on the outside:
Shingles solid except for one bald patch.
Windows intact but in need of putty.
Half the rails missing from the front porch.
Nice gingerbread.

I looked it over on the inside:
One bathroom missing its toilet.
Speaking tubes clogged with gunk.
Bedrooms small, living room surprisingly large.
Creaky stairs leading to jammed attic door.
Jammed basement door probably leading to more creaky stairs.
Enamel kitchen fixtures chipped but functional.
Ooo ... a dumb-waiter.

Read more... )
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
I have always enjoyed poetry. Over the years, I've built up a long list of favorite poets. This is one of the few areas where I lean towards the classics. I'm not impressed by a lot of modern poetry, although there are some that meet my standards. Most of what I like isn't considered fashionable these days. I like both rhyme and meter, though I don't require either, and I love different forms. I also prefer for poetry to make sense, especially if it tells a story, although it can be subtle or wacky rather than obvious.

I like poets who have something in common with me. I also like poets who are very different. So my reading spans quite a variety of time periods, languages, ethnic groups, religions, and other categories.


Black Poets
Robert Hayden
Langston Hughes
Alice Walker
Phillis Wheatley

Hispanic Poets
Gloria Evangelina Anzaldúa
Lorna Dee Cervantes
Sandra Cisneros
Luis A. López
William Carlos Williams

Native American Poets
Paula Gunn Allen
Gloria Bird
Joy Harjo
Leslie Marmon Silko
Luci Tapahonso

Pagan Poets
Doreen Valiente
Enheduanna
Starhawk

Queer Poets
John Ashbery
Allen Ginsberg
Adrienne Rich
Sappho

Speculative Poets
Bruce Boston
Suzette Haden Elgin
David Kopaska-Merkel
Anne McCaffrey
Marge Simon
J.R.R. Tolkien

Women Poets
Margaret Atwood
Elizabeth Barrett Browning
Emily Dickenson

Miscellaneous Poets
Matsuo Basho
Lewis Carroll
e e cummings
T.S. Eliot
Robert Frost
John Keats
Rudyard Kipling
Vachel Lindsey
Edgar Allen Poe
Jelaluddin Rumi
Dylan Thomas
Henry David Thoreau
Walt Whitman
William Butler Yeats


Who are some of your favorite poets?

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