Intro Post: Making a Practice of Poetry
"Before we can be poets, we must practice"—Mary Oliver, 'A Poetry Handbook'
J.J. here, returning to host this week on poetry as craft, one that can be cultivated and refined through practice. A little about myself, for those who don't know me from the previous times I've hosted: I'm a pupal neuroscientist and poet, neither fully accredited* (yet) or just starting out in either field. As such, I'm drawn to experimentation when it comes to poetry, and to metacognition — thinking about how I think — about writing poetry.
So. What makes a person a poet? Or perhaps I should say — what makes a person a memorable poet in a good way? (
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This week, I'll share with you some ways I've tried engineering "time & occasion" for poetry into my own life, and offer a sampling of resulting poems. In the meantime, I open the floor to you: do you make a practice of poetry yourself? Why or why not? Are there exercises along the lines of
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* The question of whether one needs or even ought to seek degree accreditation as a poet is one I'll leave for another time, but I think it's worth noting quantity & quality of poetry publication credits (or lack thereof) are often used informally to distinguish between 'professional' and 'amateur' poets.
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One of the things I love about poetry communities is finding out what other people's habits, tendencies, and preferences are when it comes to writing. I myself have had long periods where I wasn't writing much of anything, and then hit inspiration and fell back into writing.
I can see where privacy would be needed or preferred to write poetry as it can be a very intimate writing process. I myself often use poetry as a way to process more tangled emotions or difficult things. I definitely prefer to have a quieter space when I'm working on poems of that nature.