Alex Conall, social justice bard (
alexconall) wrote in
poetree2014-04-23 07:07 am
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diversity of queer women's poetic experience: love poems: Cherríe Moraga (girl dates girl)
Lien found the next poem, after Michelle said she was afraid to introduce Lien to her family.
Loving In The War Years
Cherríe Moraga
Loving you is like living
in the war years.
I do think of Bogart & Bergman
not clear who's who
but still singin a long smoky
mood into the piano bar
drinks straight up
the last bottle in the house
while bombs split
outside, a broken
world.
A world war going on
but you and I still insisting
in each our own heads
still thinkin how
if I could only make some contact
with that woman across the keyboard
we size each other up
yes...
Loving you has this kind of desperation
to it, like do or die, I
having eyed you from the first
time you made the decision to move
from your stool
to live dangerously.
All on the hunch
that in our exchange of photos
of old girlfriends, names
of cities and memories
back in the states
the fronts we've manned
out here on the continent
all this on the hunch
that this time there'll be
no need for resistance.
Loving in the war years
calls for this kind of risking
without a home to call our own
I've got to take you as you come
to me, each time like a stranger
all over again. Not knowing
what deaths you saw today
I've got to take you
as you come, battle bruised
refusing our enemy, fear.
We're all we've got. You and I
maintaining
this war time morality
where being queer
and female
is as warrior
as we can get.
Cherríe Moraga describes herself as a 'Xicanadyke'. "I am ever-grateful to feminism for teaching me this," she writes, "that political oppression is always experienced personally by someone."
Love is living dangerously, Moraga wrote. I've got to take you as you come to me. I refuse, said Michelle, to be afraid.
Source: Loving in the War Years, Cherríe L. Moraga
Loving In The War Years
Cherríe Moraga
Loving you is like living
in the war years.
I do think of Bogart & Bergman
not clear who's who
but still singin a long smoky
mood into the piano bar
drinks straight up
the last bottle in the house
while bombs split
outside, a broken
world.
A world war going on
but you and I still insisting
in each our own heads
still thinkin how
if I could only make some contact
with that woman across the keyboard
we size each other up
yes...
Loving you has this kind of desperation
to it, like do or die, I
having eyed you from the first
time you made the decision to move
from your stool
to live dangerously.
All on the hunch
that in our exchange of photos
of old girlfriends, names
of cities and memories
back in the states
the fronts we've manned
out here on the continent
all this on the hunch
that this time there'll be
no need for resistance.
Loving in the war years
calls for this kind of risking
without a home to call our own
I've got to take you as you come
to me, each time like a stranger
all over again. Not knowing
what deaths you saw today
I've got to take you
as you come, battle bruised
refusing our enemy, fear.
We're all we've got. You and I
maintaining
this war time morality
where being queer
and female
is as warrior
as we can get.
Cherríe Moraga describes herself as a 'Xicanadyke'. "I am ever-grateful to feminism for teaching me this," she writes, "that political oppression is always experienced personally by someone."
Love is living dangerously, Moraga wrote. I've got to take you as you come to me. I refuse, said Michelle, to be afraid.
Source: Loving in the War Years, Cherríe L. Moraga