jjhunter: Closeup of the face from postcard of da Vinci's 'Mona Lisa' with alterations made by Duchamp, i.e. moustache and goatee. (Default)
[personal profile] jjhunter
Posted on behalf of [livejournal.com profile] stryck

Constantinople


We built this city
On eternity's blueprint;
An edifice of forever,
A monument to God,

But we live in time.
Time ate the stones;
It drank our health;
It stole our strength.

The city was of the world;
The world laid it low.
We wept at what was wrought.

All worldly things pass away.
We who mourned mere moonlight
Will inherit the sun.
jjhunter: Closeup of the face from postcard of da Vinci's 'Mona Lisa' with alterations made by Duchamp, i.e. moustache and goatee. (Default)
[personal profile] jjhunter
Data Entry


Sitting and typing, flying across keys,
Listing little things; Name, Spouse, Occupation;
Filling blanks to create an entry.
The turn of digits in intricate dance,
Pouring data into screen after screen
Every bit correct, to the last number.

Some claim this job makes the heart number;
Doors in the soul close with keys
Lost in that pallid, glowing screen
That stands at the center of the occupation,
Stealing us from the eternal dance
Til we can't even mourn its careless entry.

And the heartless work of making entry
Erodes us by inches. So, we number
The hours and minutes until we can dance
To the artful whims of some tables and keys
Flickering with life as the sole occupation
Of musicians listed on a miniature screen.

What kind of filter can we use to screen
Heartlessness and tedium from its entry
Into the grind of our daily occupation,
When all of our work is reduced to number
And letter and the clatter of keys
Where only our fingers are allowed to dance?

Read more... )

==

One of the benefits of writing sonnets, lately, is that I've gotten braver on tackling what are, to me, much more difficult forms. This is the first sestina I've written since college. I'm not sure if the heteronym was clever, or just a cheap trick, but I'm happy with the message of the poem. I work in the Escrow department of a mortgage servicing company, and we're often reminded that the numbers aren't just numbers: these are people's homes and livelihoods.

-Anna
jjhunter: Closeup of the face from postcard of da Vinci's 'Mona Lisa' with alterations made by Duchamp, i.e. moustache and goatee. (Default)
[personal profile] jjhunter
Posted on behalf of [livejournal.com profile] stryck

The Chocolate Chip Country


Oh won't you come with me
To the chocolate chip country?
There the marshmallow fluff birds fly
Across a hardcrack sky.

The children chase the gumdrop lights
of lightning bugs on summer nights,
And cinnamon dusts the butterfly wings
That're caught in nets of licorice strings.

Oh won't you come with me
To the chocolate chip country?
There the candyfloss flowers grow
Planted in smiles and bows.

Where every bend of a rainbow will
Yield seven flavors when distilled,
And sugar swans swim around and round
Where the taffy top cattails are found.

Oh won't you come with me
To the chocolate chip country?
There the caramel kitty-cats yawn
Snoozing in spearmint lawn.


--
This poem was written for a Poetry Kitchen request. I liked it so much that I renamed my livejournal The Chocolate Chip Country. >.> I had a tune in mind when writing the poem. You can listen a quiet and not too bad recording of me singing it here.
jjhunter: Closeup of the face from postcard of da Vinci's 'Mona Lisa' with alterations made by Duchamp, i.e. moustache and goatee. (Default)
[personal profile] jjhunter
Posted on behalf of [livejournal.com profile] stryck

Hello. I'm Anna Waite, also known as [livejournal.com profile] stryck. I post poems there, and irregularly host Poetry Kitchens, where I cook up poems using the ingredients given to me by commenters.

I started the Poetry Kitchens for two reasons: first, and most importantly, I wanted to get in the habit of writing again. Second, I wanted a chance to participate in the community of creators and patrons growing up around the Crowdfunding concept. Though my time to write has become fairly curtailed due to having a toddler in the house, the regular incentive to write keeps my impoverished muse going.

I chose poetry over prose because I couldn't imagine how to do prose in small, quick bites that lend themselves more to the crowdfunding model. Other people have since managed that quite well, while I've discovered that poetry isn't necessarily easier or faster. Silly me.

My poetry ranges all over, especially since a lot of it has been to requests lately. There's nothing like trying to write poems by request to break you out of your mold.

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